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Music and Politics in North Africa.
(Ashgate Publishing., 2009)
Outside-In: Music, New Media and Tradition in North Africa.
(Scarecrow Press (Rowman & Littlefield Publishing Group), 2005)
Pirates of the Mediterranean : Moroccan music video and technology
(Liverpool University Press, 2009)
Technologies for the consumption and production of global media have brought ‘foreign bodies’ into the domestic spaces of millions of Moroccans. Such unprecedented access to cultural materials is, however, negotiated at a ...
"A form to accommodate the mess": a genetic (self-)translation study of Samuel Beckett’s dramatic writing
(2023-10-02)
This thesis analyses the manuscripts of Samuel Beckett’s self-translated dramatic texts in order to better understand how an author recaptures the cadences, originality and political implications of his earlier versions ...
Pedagogy and professional development- research report for ETHNO
(Jeunesses Musicales International, 2022-06-07)
The aim of the pedagogy and professional development research was to document local, national and global understandings of Ethno pedagogy, and to describe and theorize its processes in action, including the ways it was ...
Nurturing collaborative creativity through group playing by ear from recordings in formal music education
(Springer Nature, 2019-07-12)
This chapter discusses research on informal learning (Green in How popular musicians learn. Ashgate Publishers, Aldershot, 2002) with a particular focus on playing by ear from recordings in groups and how it contributes ...
Flow, play, feel and creativity: some of the potential outcomes of playing by ear from a recording
(GIA Publications Inc, 2017)
Playing by ear from a recording is, in the history of human music-making, a relatively new activity, stemming as it does from only the last one hundred years or so, since the invention of audio recording and play-back ...
Bringing different generations together in music-making – an Intergenerational Music Project in East London
(Intellect, 2011-12-09)
This article describes an intergenerational music project that took place as part of a bigger project, entitled the Music for Life Project that explored the social and emotional benefits of music participation for people ...
The Gnawa of Oujda: music at the margins in Morocco
(VWB - Verlag für Wissenschaft und Bildung, 1998)
This paper describes some of my fieldwork encounters with the Gnawa, a group of eth- nic minority musicians living in Oujda , north-eastern Morocco, where I conducted re- search in 1994. I recount how I met the group and ...
With reverence and love...
(The Furrow, 1998)