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Postcolonial Passages: Migration and Cinematic Form in Michael Haneke’s "Hidden" and Alan Gilsenan’s "Zulu 9"
(Taylor and Francis, 2011)
This essay examines two recent cinematic productions from France and Ireland, respectively: Michael Haneke’s Hidden and Alan Gilsenan’s Zulu 9. These two films are considered comparatively in terms of migration, postcolonial ...