| dc.contributor.creator | Clare, David | |
| dc.date.accessioned | 2018-10-15T10:32:04Z | |
| dc.date.available | 2018-10-15T10:32:04Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007 | en_US |
| dc.identifier.uri | http://hdl.handle.net/10395/2261 | |
| dc.description | Anglo-Irish “distortion”: double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune' | en_US |
| dc.publisher | Center for Irish Studies (University of St. Thomas) | en_US |
| dc.relation.ispartofseries | 22;1 | |
| dc.rights.uri | https://muse.jhu.edu/article/699174/pdf | en_US |
| dc.subject | Anglo-Irish | en_US |
| dc.subject | Distortion | en_US |
| dc.subject | Double exposure | en_US |
| dc.subject | Francis Bacon | en_US |
| dc.subject | Bacon | en_US |
| dc.subject | Portraits | en_US |
| dc.subject | Samuel Beckett | en_US |
| dc.subject | Beckett | en_US |
| dc.subject | The Old Tune | en_US |
| dc.title | Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune' | en_US |
| dc.type | Article | en_US |
| dc.type.supercollection | all_mic_research | en_US |
| dc.type.supercollection | mic_published_reviewed | en_US |
| dc.description.version | Yes | en_US |
| dc.identifier.doi | 10.1353/nhr.2018.0007 | |
