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dc.contributor.creatorKenny, Ailbhe
dc.date.accessioned2019-03-05T12:22:18Z
dc.date.available2019-03-05T12:22:18Z
dc.date.issued2014
dc.identifier.citationKenny, A. (2014) 'Collaborative creativity' within a jazz ensemble as a musical and social practice. Thinking Skills and Creativity, 13, pp.1-8.en_US
dc.identifier.urihttp://hdl.handle.net/10395/2692
dc.description‘Collaborative creativity’ within a jazz ensemble as a musical and social practice.en_US
dc.description.abstractThis article seeks to explore ‘collaborative creativity’ within the musical and social practices of a local jazz ensemble in Ireland. Within this study, concepts of creativity are firmly rooted within socio-cultural contexts where practices are ‘situated’ and ‘collective’. Through investigating aspects of ‘collaborative creativity’ practices such as privileging improvisation, maintaining challenge, and building knowledge through leadership and collaboration, the research explores the connections between creativity and collaboration within a genre-specific ensemble. This qualitative case study gathered data from observations, video recordings, interviews and participant logs over a nine-month period. Thus, the varied research methods allowed for both group and individual perspectives to inform the data analysis. The findings illuminate the distinct creativity practices of the jazz ensemble within shared learning processes. Key features of how creativity was led, encouraged, facilitated and negotiated within the jazz ensemble are presented. The case study provides theoretical perspectives rooted in everyday group music making experiences about an important socio-cultural perspective of creativity, both as a musical and social practice.en_US
dc.language.isoengen_US
dc.publisherElsevieren_US
dc.relation.ispartofseries13;
dc.rights.urihttps://doi.org/10.1016/j.tsc.2014.02.002en_US
dc.subjectCollaborative creativityen_US
dc.subjectJazzen_US
dc.subjectCollectiveen_US
dc.subjectPracticeen_US
dc.subjectMusic-makingen_US
dc.title‘Collaborative creativity’ within a jazz ensemble as a musical and social practice (Pre-published version)en_US
dc.typeArticleen_US
dc.type.supercollectionall_mic_researchen_US
dc.type.supercollectionmic_published_revieweden_US
dc.description.versionYesen_US
dc.identifier.doi10.1016/j.tsc.2014.02.002


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