Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'

2018-10-152018-10-152018Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007http://hdl.handle.net/10395/2261Anglo-Irish “distortion”: double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'https://muse.jhu.edu/article/699174/pdfAnglo-IrishDistortionDouble exposureFrancis BaconBaconPortraitsSamuel BeckettBeckettThe Old TuneAnglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'Article10.1353/nhr.2018.0007