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Now showing items 1-10 of 17
Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)
(Irish Province of the Society of Jesus, 2014)
Bernard Shaw, Henry Higgins, and the Irish diaspora
(Center for Irish Studies (University of St. Thomas), 2014)
A Belgian town as Purgatory and an Irish gangster as Christ in Martin McDonagh's "In Bruges"
(University College Dublin School of English, Drama and Film, 2012)
Brian Friel’s invocation of Edmund Burke in "Philadelphia, Here I Come!"
(Alfred University, 2015)
'Turns wick low': Samuel Beckett's darkening vision and an Irish county (Pre-published Version)
(Irish Province of the Society of Jesus, 2017)
Under-regarded roots: the Irish references in Sterne's "Tristram Shandy" (Pre-published version)
(CUP [Cork University Press], 2016)
Laurence Sterne has always occupied an uncertain place within the Irish literary canon. Important commentators have consistently denied that his work is, in any significant way, Irish. Referring to the fact that the ...
John McGahern's 'Oldfashioned' and Anglo-Irish culture (Pre-published version)
(Manchester University Press, 2017)
In John McGahern’s 1985 short story ‘Oldfashioned’, he ably demonstrates why a sensitive, bookish, Catholic young man raised in the repressive, anti-intellectual Irish Free State might be attracted to the way of life being ...
Review of "Where Motley is Worn; Transnational Irish Literatures" Amanda Tucker and Moira E. Casey eds.
(Center for Irish Programs of Boston College, Massachusetts, 2016)
Review of Rough Magic's 2013 production of R.B. Sheridan's "The Critic"
(University of Toronto Press, 2015)
Review of Druid Theatre Company's 2016-17 production of Samuel Beckett's "Waiting for Godot"
(Edinburgh University Press, 2017)