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Postcolonial Passages: Migration and Cinematic Form in Michael Haneke’s "Hidden" and Alan Gilsenan’s "Zulu 9"
(Taylor and Francis, 2011)
This essay examines two recent cinematic productions from France and Ireland, respectively: Michael Haneke’s Hidden and Alan Gilsenan’s Zulu 9. These two films are considered comparatively in terms of migration, postcolonial ...
Ireland, Empire and Utopia: Irish Postcolonial Criticism and the Utopian Impulse
(Routledge Taylor and Francis, 2010)
This article is a response to Bill Ashcroft’s ‘Critical Utopias’, which appeared
in this journal in 2007. In his earlier piece, Ashcroft offered a summary genealogy
of the historical and literary historical links between ...
Introduction: Tracing the cultural legacy of Irish Catholicism: from Galway to Cloyne and beyond (Pre-published version)
(Manchester University Press, 2017)
Messianism or Messianicity?: Remembering Revolution and the Shaping of Irish Nationalism
(Cambridge: Cambridge Scholars Press, 2011)
Visioning Ireland: Pearse, prosopopoeia and the remembering of O'Donovan Rossa and Tone
(Dalarna University Centre for Irish Studies, 2014)
War of the words: literary rebellion in France and Ireland (Pre-published version)
(T.I.R. [Université Rennes 2], 2010)
An Irish feminist chick lit? Examining the social and cultural contexts of Marian Keyes’ work
(Mary Immaculate College, University of Limerick, 2011)
This thesis will present a study of the work of Irish writer Marian Keyes in terms of her texts, and the cultural context of these texts. The nature of chick lit as a formulaic genre will be examined, and the ability of ...
Ireland and Ecocriticism: An Introduction (Pre-published)
(2013)
Contemporary Irish history, specifically that of the past twenty years, saw the nature of the relationship between people and land alter dramatically and, in large part, detrimentally. So that while ‘land’ and ‘value’ have ...
Learning to thole: the unconscious connections between Ireland and Scotland in the thought of Seamus Heaney (Pre-published version)
(Cambridge Scholars’ Press, 2013)