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dc.contributor.creatorLanglois, Tony
dc.date.accessioned2013-01-18T14:48:10Z
dc.date.available2013-01-18T14:48:10Z
dc.date.issued2009
dc.identifier.citationLanglois, T.(2009) 'Pirates of the Mediterranean : Moroccan Music Video and Technology'.Music, Sound and the Moving Image, Vol. 3(1) 71-85.en
dc.identifier.urihttp://hdl.handle.net/10395/1491
dc.description.abstractTechnologies for the consumption and production of global media have brought ‘foreign bodies’ into the domestic spaces of millions of Moroccans. Such unprecedented access to cultural materials is, however, negotiated at a local and familial level, and this paper considers the workings of this domestic interface. It examines the economy of music video production in Morocco and the close links existing between new technologies, traders and their markets. The paper also shows how moving images can be ‘ripped’ from global sources and re-edited to fit indigenous musical structures.
dc.language.isoengen
dc.publisherLiverpool University Pressen
dc.relation.ispartofseriesMusic, Sound and the Moving Image;3/1
dc.rights© Used by permission Liverpool University Pressen
dc.subjectMusicen
dc.subjectMoroccoen
dc.subjectMusic technologiesen
dc.titlePirates of the Mediterranean : Moroccan music video and technologyen
dc.typeArticleen
dc.type.supercollectionall_mic_researchen
dc.type.supercollectionmic_published_revieweden
dc.type.restrictionnoneen
dc.description.versionYesen


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