Browsing Department of German Studies by Title
Now showing items 27-36 of 36
-
Pandora and the Construction of Memory in Film.
(Universidade Católica Portuguesa, 2004) -
Polyphone Dramatik als Schauspiel wider die Einförmigkeit der Gewalt?
(Innsbruck University Press, 2011) -
"Prison-paradise"?: das internat als entwick-lungsraum in deutschsprachigen romanen nach 1968
(Mary Immaculate College, University of Limerick, 2015)The PhD thesis at hand is entitled “Prison-Paradise? The boarding school as space for individuation in German-language novels after 1968”. It is about the literary depiction of disciplinary institutions and their speci-fic ... -
Representing pain in literature and film: reflections on 'Die Brucke' (The Bridge) by Manfred Gregor and Bernhard Wicki
(Universidade Católica Portuguesa, Faculdade de Ciências Humanas, Centro de Estudos de Comunicação e Cultura (CECC), 2008) -
(Trans-)nationale zeitgenössische goethe-adaptionen in der online-kultur (Pre-published version)
(KAS [Konrad-Adenauer-Stiftung], 2017) -
„Und wer den Schmerz einmal gesehen hat…”: Neue deutsche Jugendliteratur zum Nationalsozialismus, Zweiten Weltkrieg und Holocaust im Kontext des postmemorialen Wandels
(Mary Immaculate College, University of Limerick and the University of Groningen, 2015)Personal and collective memories of violence and warfare are part of broader discursive processes that are subject to constant reinterpretations and remediations from the perspective of the present. Engaging with the ... -
Under Construction: Gender and the Representation of Prostitutes in Expressionism
(V&R unipress, 2010) -
The urbanization of the body: prostitutes, dialectics, and utopia in German expressionism
(The John Hopkins University Press, 1997) -
Über die Eisenbahnfahrt ins politische Schreiben: Malwida von Meysenbugs, Eine Reise Nach Ostende.
(Georg Wenderoth Verlag, 2005) -
“The wild east” in contemporary German poetry: Gerald Zschorsch, Kurt Drawert, Brigitte Oleschinski
(DIT [Dublin Institute of Technology], 2016)This article discusses images of a “European” or “Wild” East in German poetry after 1989, specifically the work of Gerald Zschorsch, Kurt Drawert and Brigitte Oleschinski. Do their texts confirm or challenge a dichotomy ...