Department of Drama and Theatre Studies: Recent submissions
Now showing items 21-30 of 30
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Review of "Bernard Shaw, W.T. Stead, and the new journalism: Whitechapel, Parnell, Titanic, and the Great War" by Nelson O'Ceallaigh Ritschel
(Penn State University Press, 2017) -
Review of "Where Motley is Worn; Transnational Irish Literatures" Amanda Tucker and Moira E. Casey eds.
(Center for Irish Programs of Boston College, Massachusetts, 2016) -
A Belgian town as Purgatory and an Irish gangster as Christ in Martin McDonagh's "In Bruges"
(University College Dublin School of English, Drama and Film, 2012) -
Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'
(Center for Irish Studies (University of St. Thomas), 2018) -
Bernard Shaw, Henry Higgins, and the Irish diaspora
(Center for Irish Studies (University of St. Thomas), 2014) -
'Turns wick low': Samuel Beckett's darkening vision and an Irish county (Pre-published Version)
(Irish Province of the Society of Jesus, 2017) -
Brian Friel’s invocation of Edmund Burke in "Philadelphia, Here I Come!"
(Alfred University, 2015) -
Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)
(Irish Province of the Society of Jesus, 2014) -
The Limerick Theatre Hub 2009:Evaluation Report
(Limerick Theatre Hub, 2010) -
Furthering conversations: a report on the creating conversations colloquium
(Department of Arts Education and Physical Education, Mary Immaculate College, Limerick., 2010)