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Goldsmith, the gate, and the 'hibernicising' of Anglo-Irish plays (Pre-published version)
(Peter Lang, 2018)
In recent decades, Irish theatre-makers have frequently imposed Irish elements onto the “English” plays written by London-based, Irish Anglican playwrights. As discerning critics have long recognised, George Farquhar, ...
Reflections on classic Gate plays by Mary Manning, Christine Longford, and Maura Laverty (Pre-published version)
(ISA [Irish Society for Archives], 2018)
Last June, the Waking the Feminists organisation published Gender Counts (its eagerly-anticipated report on gender representation in Irish theatre), and the report confirmed what many Irish theatre fans suspected: during ...