Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)

dc.contributor.creator	Clare, David
dc.date.accessioned	2018-10-15T11:02:14Z
dc.date.available	2018-10-15T11:02:14Z
dc.date.issued	2014
dc.identifier.citation	Clare, D. (2014) 'Why Did George Farquhar's Work Turn Sectarian After "The Constant Couple"?'. Studies; An Irish Quarterly Review 103(410), pp. 159-168. Irish Province of the Society of Jesus. ISSN: 00393495	en_US
dc.identifier.issn	00393495
dc.identifier.uri	http://hdl.handle.net/10395/2263
dc.description	Why did George Farquhar’s work turn sectarian after "The Constant Couple"?	en_US
dc.language.iso	eng	en_US
dc.publisher	Irish Province of the Society of Jesus	en_US
dc.relation.ispartofseries	103;410
dc.rights.uri	https://www.jstor.org/stable/24347819	en_US
dc.subject	Irish drama	en_US
dc.subject	Irish literature	en_US
dc.subject	Protestantism	en_US
dc.subject	Sectarianism	en_US
dc.subject	Theater	en_US
dc.subject	Irish poetry	en_US
dc.subject	Playwriting	en_US
dc.subject	Theater criticism	en_US
dc.subject	Prologues	en_US
dc.subject	Literary criticism	en_US
dc.title	Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)	en_US
dc.type	Article	en_US
dc.type.supercollection	all_mic_research	en_US
dc.type.supercollection	mic_published_reviewed	en_US
dc.description.version	Yes	en_US