Show simple item record

dc.contributor.creatorButler, Richard
dc.date.accessioned2021-06-03T10:51:41Z
dc.date.available2021-06-03T10:51:41Z
dc.date.issued2016
dc.identifier.citationButler, R. (2016) 'All Saints, Drimoleague: clarifications and new discoveries', Journal of the Cork Historical and Archaeological Society, 121, 141-43.en_US
dc.identifier.issn00108731
dc.identifier.urihttps://corkhist.ie/journal/
dc.identifier.urihttps://dspace.mic.ul.ie/handle/10395/3003
dc.description.abstractSince the publication of my article on Catholic visual culture in Cork in the 1950s in last year’s journal, some new material has come to my attention that allows for both some clarifications as well as some new insights. Following Peter Harbison, I speculated that the artist of the altar mural may have been the Austrian Hans Schröder (1931-2010), and that it must have been painted ‘between June 1956 and early 1957’. It is now possible to say with a great degree of certainty that the artist was in fact a different man, Hans V. Schroetter (1891-1965), of Graz, Austria, and that he worked in Drimoleague between June and December 1956.en_US
dc.language.isoengen_US
dc.publisherCork Historical & Archaeological Societyen_US
dc.relation.ispartofseries121;
dc.rightsThe journals articles can be deposited in your repository if the 2 years have expired.en_US
dc.rights.urihttps://corkhist.ie/en_US
dc.subjectCatholic Churchen_US
dc.subjectBishop Cornelius Luceyen_US
dc.subjectDrimoleagueen_US
dc.subjectCorken_US
dc.subjectArchitectural historyen_US
dc.subjectVisual cultureen_US
dc.titleAll Saints, Drimoleague: clarifications and new discoveries (Pre published)en_US
dc.typeArticleen_US
dc.type.supercollectionall_mic_researchen_US
dc.description.versionNoen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record