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    Winterwood: A Portrait of the Artist as a Postmodern Pariah

    Citation

    O’Brien, E.(2008). ‘Winterwood: A Portrait of the Artist as a Postmodernist Pariah’, in Neville,G., Maher,E. and E, O’Brien (eds.), Modernity and Postmodernity in a Franco-Irish Context - Studies in Franco-Irish Relations Volume 2, Frankfurt: Peter Lang,141-160
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    O'Brien,E.(2008) Winterwood- A Portrait of the Artist as a Postmodern Pariah (Book Chapter).pdf (175.9Kb)
    Date
    2008
    Author
    O'Brien, Eugene
    Peer Reviewed
    Yes
    Metadata
    Show full item record
    O’Brien, E.(2008). ‘Winterwood: A Portrait of the Artist as a Postmodernist Pariah’, in Neville,G., Maher,E. and E, O’Brien (eds.), Modernity and Postmodernity in a Franco-Irish Context - Studies in Franco-Irish Relations Volume 2, Frankfurt: Peter Lang,141-160
    Abstract
    Postmodernism is often seen as following sequentially from modernism but I would agree with Lyotard’s contention that postmodernism is actually ‘a part of the modern.’ Lyotard goes on to state that a work ‘can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but the nascent state, and this state is constant.’ So with these interlacings in mind, I would like to look at the two novels and begin with the issue of the speaking subject in each book – Stephen Dedalus and Redmond Hatch.
    Keywords
    McCabe
    Lyotard
    Postmodernity
    Joyce
    Jameson
    Language (ISO 639-3)
    eng
    Publisher
    Peter Lang
    Rights
    www.peterlang.com?58158.
    URI
    http://hdl.handle.net/10395/995
    Collections
    • English Language and Literature (Peer-reviewed publications)

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