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Postcolonial Passages: Migration and Cinematic Form in Michael Haneke’s "Hidden" and Alan Gilsenan’s "Zulu 9"
(Taylor and Francis, 2011)
This essay examines two recent cinematic productions from France and Ireland, respectively: Michael Haneke’s Hidden and Alan Gilsenan’s Zulu 9. These two films are considered comparatively in terms of migration, postcolonial ...
Arrival and Departure:"Fishing the Sloe-Black River" (1994)
(Irish Academic Press, 2011)
‘Fishing the Sloe-Black River’, the title story of McCann’s first published collection, appeared in print a year before the complete
volume of stories was published by Phoenix House. The quasi-magic realist narrative was ...
Representation and Performance: Dancer (2003)
(Irish Academic Press, 2011)
Introducing the work of John Banville, Derek Hand invokes the protracted genealogy of the novel in locating the formal and thematic loci of Banville’s fictions. Hand alludes to Harold Bloom’s recent thoughts on the ...
Introduction Colum McCann and the Aesthetics of Redemption
(Irish Academic Press, 2011)
At the beginning of the RTÉ Arts Lives documentary, ‘Colum McCann – Becoming a New Yorker’ (2009), Colum McCann asks, selfconsciously, why anyone would want to follow him around with a camera and make a film about his life ...
A review of J.G. Farrell – 'In His Own Words: Selected Letters and Diaries' (2009) (Pre-published version)
(AEDEI [Asociación Española de Estudios Irlandeses], 2011)